Tuesday, December 31, 2019

Bride of Northanger, part I

I am reading Diana Birchall's The Bride of Northanger, a sequel to Jane Austen's Northanger Abbey.

I am a little more than a third of the way through the book as I write. It picks up as Henry Tilney and Catherine Morland marry and begin life together. If Austen poked fun at Catherine's Gothic pretensions and desire to bring the frisson of Gothic literature into a real abbey that is all too modern and prosaic to be romantic and frightening, this novel turns that trope entirely on its head.



Catherine and Henry now begin to experience some Gothic horror. Not only does Henry reveal a curse that says wives of the eldest Tilney son are fated to suffer misfortune (fortunately for Catherine, Henry has an older brother!), Catherine and Henry find a note stuck to a knife thrust into the door of their room while visiting Northanger Abbey. The note warns Catherine away from the abbey and tells her never to return. The knife is an open threat of violence. This is in addition to new china sent by General Tilney to their home that seems to have the word "maledict" written in tiny script amid the scrolling leaves of the china pattern.

The Gothic touches keep the pages turning, and more importantly, tap into archetypes from girls' literature that are deeply satisfying: secret curses, poison pen letters, even a (seeming) ghost. This is the stuff of Nancy Drew and other classic mystery novels (which I rate very highly), and it is delightful to see these elements transferred to an adult novel.



Another apt--and important--touch is General Tilney's  love of fine china. It allows for the introduction of sensuous elements into the book, but also advances the plot, especially when the general shows off his Medici goblet made of cobalt blue glass flecked with gold--a goblet that will shatter if any poison is poured into it. Needless to say, without giving anything away (and I do not yet know what will happen), the goblet does shatter, the general perhaps poisoned .... Add to that Catherine's sighting of the mysterious and ghostly Grey Lady and the plot has thickened greatly.

I look forward to seeing how the plot unfolds--and plan to post again when I have finished the book. I would recommend it thus far as a fine, old-fashioned, and entertaining read.

In the interests of full disclosure, Diana has been a cyber-companion with whom I have shared the Austen passion for more than a decade. 



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