In this series of guest post, a meta-diary of sorts, Austen readers recount what brought them to Austen in the first place and why they keep returning. The following is by Arnie Perlstein.
The Jane Austen Code: the shadow stories of Jane Austen’s
novels by Arnie Perlstein
I always quote it, because that passage not only depicts Catherine’s Gothic imaginings,
it also predicts that it would take about
two centuries for someone…..
…. to detect the deepest layer of mystery in Austen’s novels
(yes, that’s the real me 12 years ago in the British Library, but of course
that’s not the real Rosetta Stone, just a perfect replica!) And Austen, who was right about pretty
much everything, was prescient on that point as well. It did take many generations for someone to think so far outside the
box as to see all of her novels as double
stories, each with two parallel
fictional universes!
That provides the perfect segue into the story of how I came
to Jane Austen, and wound up as the improbable discoverer of her “shadow
stories”. Improbable, because I came to Austen, and to the Janeite world, in
1995 as the ultimate outsider. I was at the (relatively) advanced age of 43, a
man surrounded by Janeite
women; a Yank among Janeite Brits; a psych major among lit majors; and a lawyer
among academics. So, unlike most Janeites I know---and most have always been
women (because most men are clueless about Austen, alas)----before my forties I
had zero prior acquaintance with Austen, and therefore no experience, at my
younger stages of life, of her writing.
However, my path was a common
one in one aspect, for those who’ve become Janeites during the past two
decades. My first experiences of Austen were via film adaptations of her novels
– first Thompson/ Lee’s Sense &
Sensibility, then the Paltrow Emma, then
the Root Persuasion, and
then—BOOM!—the Davies Pride &
Prejudice. It was actually my wife Jackie, who’d been a lit minor who read
Austen in college, who first brought me to those films, and we both were among
the millions who thrilled to watch and rewatch the sophisticated romance of Elizabeth
and Darcy brought to vivid life by Ehle and Firth.
That’s
when I was prompted to start reading Austen’s novels themselves, and it didn’t take me long
–less than two years--to read all of them except Northanger Abbey, which I didn’t read till a few years later, because
I had picked up somewhere online the (very mistaken) idea that it wasn’t in the
same league as the other five.
It wasn’t till mid-2000 that I took the leap of joining the
Janeites email group, because reading (and rereading) her novels, combined with
saturation in pretty much all the films, had induced a craving to actually talk about her novels with other obsessive
Janeites (which is what I definitely was by then). But even I didn’t anticipate
how powerfully my participation in a very active virtual Jane Austen book club with
so many other knowledgeable Janeites would electrify and jumpstart my understanding
of and passion for her writing, and also for her biography, which are
inseparable subjects. I understood that, as with millennia of Torah scholars
(including one of my grandfathers, as a young man, according to family lore),
group reading and rereading of six sacred books was the glue that held a worldwide
community together. And the rest, as they say (but Jane would avoid cliché in saying
it) is history.
Why I keep coming back to Austen would require a short book
to fully explain, but the central point, which is very congruent with Diane’s
reasons, is because of what I first detected in 2002 --- my first sighting of
an Austen shadow story element—Willoughby “accidentally” stalking Marianne in Sense
& Sensibility, and therefore in the perfect position to “accidentally”
rescue her so romantically, and steal her heart:
By 2004, several other discoveries about similar subtextual
clueing in other Austen novels led me to see this as Austen’s universal
strategy. No doubt my lifelong crossword puzzle hobby helped me to spot complex
patterns based on fragmentary data, and to interpret cryptic word clues. It
happened that reading the “crazy” idea that Frank Churchill murdered his aunt
Mrs. Churchill in early 2005 was my moment of epiphany, the moment when I
realized that all six Austen novels
were coherent double stories.
Since 2004, using online and library resources, and never
stopping talking to other Janeites online and in person, I’ve spent an
unaccountably large number of intensely pleasurable hours reading and rereading
countless articles and books. I have read (and reread a thousand times) bits
and pieces of all of Austen’s fiction and letters, and have generated a steady
flow of discoveries fleshing out what I call the “shadow stories” of all her
fiction…and also of some of the shadows of her real life. My intellectual journey has had so many twists and
turns, such as, e.g., my realization, in 2012, that Marianne Dashwood had actually
noticed Willoughby stalking her, and had deliberately
fallen so as to be rescued by him! (as to why she did this, well….that’s a
long story for another time…..)
I’ve given many public talks in both the US and in England
since 2007, the highlight of which was my talk at the 3-day July, 2009 Chawton
House conference, which brought over 70 leading scholars together for a 3-day
Austen “Woodstock”. My session about Jane Fairfax as secretly pregnant…
…was attended by the two most prominent Austen scholarly emeriti, Deirdre Le Faye and the late Brian Southam. He told me later he loved my presentation, whereas she said to me, in her Julia-Childs-like voice, “I didn’t believe a WORD of it!”. It was a blast!
I’ve been an active member of JASNA http://www.jasna.org/search.html since
2006, I’ve attended 9 Annual General Meetings, and have Janeite friends around
the world, as well as locally here in Portland, Oregon—so the social benefits
of Austen obsession are endless for me. And I hope 2016-2017 will be the year I
finally fulfill the promise/threat I’ve been making since 2007, to suspend blogging long enough
to actually write my book about Austen’s shadow stories (and other great
authors who’ve also “gone there”).
So I’m drawn back to Austen every day to finish that task
I’ve set for myself: to definitively map the hidden terrain of her shadow
stories, which have been coming into clearer focus for me—like Elizabeth’s love
for Darcy….
https://www.youtube.com/watch?v=AQX4TxwclL0 (I have an unforgivable
weakness for this computer generated reading of Jane Austen’s writing—I bet it
would make Jane Austen laugh, too!)
….for a looooooooong time.
In a nutshell, I claim these shadow stories reflect Austen’s covert radical
proto-feminism, a fictional encyclopedia of the wrongs done to women in her
world, such as serial conjugal pregnancy, the double standard re sexual
propriety, and what I see as Austen’s shockingly modern sympathy/affinity for
same-sex love.
I conclude by pointing out the obvious – I’m very well aware
of how very controversial my ideas about
Austen’s shadow stories are, and how arrogant I can sound in making
these extremely bold claims as facts. At the very least, I hope to bring a lot
of new eyeballs—including not only all those clueless male readers, but also
those LGBT readers who’ve never seen themselves in the apparently exclusively
heterosexual romance of her novels---to the magical words of Jane Austen.
Cheers, ARNIE PERLSTEIN
@JaneAustenCode on Twitter
www.sharpelvessociety.blogspot.com
Arnie is a retired commercial real estate lawyer originally from NYC and recently transplanted from steamy South Florida to (wonderfully) weird Portland. His long promised book about Austen's & Shakespeare's shadow stories will be coming before too many more eons elapse.
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